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THE SPIRITUAL EXPERIENCE OF MUSIC

The contents of this book are aimed at anyone who is dedicated to the musical art and wishes to understand what lies behind music. Heredity, cosmic will and music. The melody, the harmony. Human temperaments. The formative force of the pulse-breath phenomenon. The musical experience of the three forces of the soul. The intervals, the octave. The historical awareness of sound for pedagogy, the psycho-physical experience of music, of time. Music and mathematics.



"The considerations that follow here arose from an impulse of knowledge such as can derive from the science of the spirit founded by Rudolf Steiner, which is precisely a "way of knowledge". They are directed at anyone who is interested in the musical art dispassionately and dispassionately desires understand, know everything that lies behind the musical fact and, above all, you want this musical fact to still remain a human fact, in the face of the massive advance of machines.The four constitutive principles of man in musicThe human temperamentThe musical intervals and their qualityMusic and mathematicsAttempt to chart a path towards the future.

Page 200

Author:Claudio Gregorat

Publisher:Anthroposophical Publishing

SKU:EDANTR-AA0211

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THE SPIRITUAL EXPERIENCE OF MUSIC

Dettagli

The contents of this book are aimed at anyone who is dedicated to the musical art and wishes to understand what lies behind music. Heredity, cosmic will and music. The melody, the harmony. Human temperaments. The formative force of the pulse-breath phenomenon. The musical experience of the three forces of the soul. The intervals, the octave. The historical awareness of sound for pedagogy, the psycho-physical experience of music, of time. Music and mathematics.
"The considerations that will follow here arose from an impulse of knowledge such as can derive from the spiritual science founded by Rudolf Steiner, which is precisely a "way of knowledge".


They are aimed at anyone who is interested in the art of music dispassionately and dispassionately wishes to understand, know everything that lies behind the musical fact and, above all, wishes that this musical fact still remains a human fact, in the face of the massive advance of machines.

The four constitutive principles of man in music
The human temperament
Musical intervals and their qualities
Music and mathematics
Attempt to chart a path towards the future.

Page 200

Author: Claudio Gregorat

Publisher: Antroposofica Editrice

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